The Chinese characters for Tai Chi Chuan can be translated
as the "Supreme Ultimate Force". The notion of "supreme ultimate" is often
associated with the Chinese concept of yin yang, the notion that one can see
a dynamic duality (male/female, active/passive, dark/light,
forceful/yielding, etc.) in all things. "Force" (or, more literally, "fist")
can be thought of here as the means or way of achieving this ying yang, or
"supreme ultimate" discipline.
Tai Chi, as it is practiced in the west today, can perhaps best be
thought of as a moving form of yoga and meditation combined. There are a
number of so- called forms (sometimes also called "sets") which consist of a
sequence of movements. Many of these movements are originally derived from
the martial arts (and perhaps even more ancestrally than that, from the
natural movements of animals and birds) although the way they are performed
in Tai Chi is slowly, softly and gracefully with smooth and even transitions
between them.
For many practitioners the focus in doing them is not, first and
foremost, martial, but as a meditative exercise for the body. For others the
combat aspects of Tai Chi are of considerable interest. In Chinese
philosophy and medicine there exists the concept of "chi", a vital force
that animates the body. One of the avowed aims of Tai Chi is to foster the
circulation of this "chi" within the body, the belief being that by doing so
the health and vitality of the person are enhanced. This "chi" circulates in
patterns that are close related to the nervous and vascular system and thus
the notion is closely connected with that of the practice of acupuncture and
other oriental healing arts.
Another aim of Tai Chi is to foster a calm and tranquil mind, focused on
the precise execution of these exercises. Learning to do them correctly
provides a practical avenue for learning about such things as balance,
alignment, fine scale motor control, rhythm of movement, the genesis of
movement from the body's vital center, and so on. Thus the practice of Tai
Chi can in some measure contribute to being able to better stand, walk,
move, run, etc. in other spheres of life as well. Many practitioners notice
benefits in terms of correcting poor postural, alignment or movement
patterns which can contribute to tension or injury. Furthermore the
meditative nature of the exercises is calming and relaxing in and of itself.
Because the Tai Chi movements have their origins in the martial arts,
practicing them does have some martial applications. In a two person
exercise called "push hands" Tai Chi principles are developed in terms of
being sensitive to and responsive of another person's "chi" or vital energy.
It is also an opportunity to employ some of the martial aspects of Tai Chi
in a kind of slow tempo combat. Long-time practitioners of Tai Chi who are
so inclined can become very adept at martial arts. The emphasis in Tai Chi
is on being able to channel potentially destructive energy (in the form of a
kick or a punch) away from one in a manner that will dissipate the energy or
send it in a direction where it is no longer a danger.
The practical exercises of Tai Chi are also situated in a wider
philosophical context of Taoism. This is a reflective, mystical Chinese
tradition first associated with the scholar and mystic Lao Tsu, an older
contemporary of Confucius. He wrote and taught in the province of Hunan in
the 6th century B.C. and authored the seminal work of Taoism, the Tao Et
Change. As a philosophy, Taoism has many elements but fundamentally it
espouses a calm, reflective and mystic view of the world steeped in the
beauty and tranquility of nature.
Tai Chi also has, particularly amongst eastern practitioners, a long
connection with the I Change a Chinese system
of divination. There are associations between the 8 basic I Change trig rams
plus the five elements of Chinese alchemy (metal, wood, fire, water and
earth) with the thirteen basic postures of Tai Chi created by Change
Sanding. There are also other associations with the full 64 trig rams of the
I Change and other movements in the Tai Chi form.
Tai chi traces its roots back to approximately the second millennium B.C.
with the practice of yoga in ancient India.
In China yoga came to be developed into what is called Saolin chuan
("chuan," briefly, means boxing). In the 13th century A.D. , a Taoist monk
by the name of Chang Sang Feng developed what has come to be known as Tai
Chi. Subsequently Tai Chi came to be associated with different families in
China. These family names came to designate the different styles of Tai Chi.
The Tai Chi family or style from which all other current styles or families
of Tai Chi developed was the Chen family. A man by the name of Yang,
subsequently studied with the Chen family and later modified the Chen style,
thus developing the Yang style of Tai Chi Chuan. The Yang style is the most
common traditional style of Tai Chi Chuan practiced today. The Yang style
has three different forms that are practiced: the simplified form, the short
form, and the long form.
There are many stories about the true origins of Tai Chi, but the one
that is generally given the most credibility is
the one centered around Chang San-Feng, reputed to be the greatest teacher
of the system.
Chang San-Feng was described as a wise man, with the "arched back of a
tortoise" and the "figure of a crane",
signs of great intelligence and character.
Chang San-Feng studied the Shaolin arts for about ten years, mastering
all the exercises. At age 67, he met a Taoist, Ho-Lung, who taught him the
method of being immortal. He practiced for 4 years, with little success, and
it was not until he traveled to Wu-Dang Mountain that he finally became
aware of the true nature of Taoism.
There are several stories to how he finally came up with Tai Chi. One in
particular is while on Wu-Dang mountain, Chang witnessed a fight between a
magpie and a snake. Every time the magpie spread its wings and attacked, the
snake would move slightly to escape the attack, but maintained its usual
circular shape. This contest continued, up
and down, across the mountain. Through this activity, Chang realized that
soft wins over hard, and also recognized
the value of circular movement.